Make them feel it.
Cinematic commercials, brand films and short-form video — concepted, shot, cut and graded to a standard that makes a premium price obvious.
What flat video costs you
Before the pitch, the uncomfortable part: people decide what your brand is worth in the first seconds of watching — and a cheap-looking film sets that number low.
Cheap-looking video makes a premium price impossible.
Buyers decide what your brand is worth in the first seconds of watching. A flat, badly-lit film doesn't just underperform — it quietly tells people to negotiate you down.
How a film actually gets made
Four stages. Most video fails in the first one, not on the shoot day — here's what each decides, and what it looks like when it's skipped.
The Concept
The idea, the script and the storyboard — agreed before a single day of production is paid for. This is where a film is actually won or lost.
- Creative concept built around one message
- Script written and approved up front
- Storyboard so you see it before we shoot
The Shoot
Crew, lighting, sound and direction — run to a shot list so the day produces everything the edit needs, not just whatever we managed to catch.
- Director, camera and lighting handled
- Shot list agreed before the day
- Sound recorded properly, not fixed later
The Cut
Pacing, rhythm and structure. The same footage can be forgettable or gripping — the difference is entirely in the edit.
- Cut for attention, not for length
- Every ratio you need, from one edit
- Subtitles burned in for silent autoplay
Grade & Sound
Colour grading and sound design are what separate a video from a film. This is the stage clients notice without being able to name it.
- Cinematic colour grade
- Sound design and mix
- Broadcast-ready masters delivered
One film, start to finish
Rather than a wall of thumbnails: watch the whole thing. Concept, shoot, cut and grade — all of it ours, at the tier the Cinematic Commercial package buys.
DUNE — Cinematic Commercial
- Concepted from a blank page. Script and storyboard signed off before a single day of production was booked.
- Shot with a full crew. Director, DOP, lighting and sound — not one person with a camera.
- Graded, not just edited. The look is built in the grade; it's the difference people notice without being able to name it.
- Cut for every placement. One production, delivered as a master film plus social cuts in every ratio.
How a booking runs
Production goes wrong when nobody agreed what was being made. Here's the order we do it in, so the price and the date are settled before a crew is booked.
Concept. Shoot. Cut. Hand over.
We agree the idea, script and storyboard — and the price and delivery date — before production starts.
Crew, kit and direction on the day, run to an agreed shot list.
Edit, grade and sound. You review on a private link, not in a meeting.
Master film, every social cut, and all raw footage — 100% yours.
What it costs, and how to book
Three tiers, fixed prices, and every exclusion written down — travel, permits, talent and music licensing are always quoted before you commit.
From one reel to a real production.
Start with footage you already have, book a shoot day, or commission the film your brand gets judged on.
Brand Reel
One hero video, cut from what you have
- 1 video, up to 45 seconds
- Concept + script written for you
- Edited, graded and sound-designed
- Subtitles burned in (AR or EN)
- Vertical + square + wide versions
- Ready to run as an ad
- Your existing footage, or product photos we can animate
- Brand assets — logo, colours, fonts
- A rough idea of the message, or let us script it
- Filming — this package is edit-only
- Paid stock footage or licensed music
- Actors, presenters or voice-over artists
- Ad spend to promote the video
Something bigger? Multi-day campaigns and productions beyond a Commercial — talk to us and we'll scope it on a call, then give you a fixed price.
Asked before every production.
24 answersIncluding the ones that cost real money — travel, permits, music licensing, and what happens if the weather kills a shoot day.
Simple test. Do you already have footage? If yes and you just need it made into something good — Brand Reel. If you need us to come and film it — Shoot Day. If this is a launch, a flagship project, or the film your brand will be judged on for the next two years — Cinematic Commercial.
A Shoot Day is a half day, one location, one crew setup — we capture well and cut it well. A Commercial is a production: concept, script, storyboard, multiple days, a full crew, locations scouted and directed, original sound. One documents something; the other is designed from a blank page to make people feel something.
Yes, before production begins. We charge the difference, not a new package. Once a shoot day is booked and crew is committed, it can't be turned into a different tier retroactively.
It's the ceiling for what we can price honestly online. Multi-location campaigns, several films at once, celebrity talent or heavy VFX all get quoted properly — because guessing at those numbers would either cheat you or cheat us.
Stop looking cheaper than you are.
Pick a tier above and we'll agree the concept and the date this week. Bigger campaign or several films at once? Talk to us.